HOT NEW REVIEWS


UPDATED October 18 , 2020


THE PROVEN ONES 'YOU AIN'T DONE' (GULF COAST RECORDS/USA IMPORT)

 

The vocals are perfect and the sound is exactly what you want to hear if you ever make it to New Orleans, USA! I am talking about the band THE PROVEN ONES and their 2nd album You ain't done. This band consists of Brian Templeton (vocals, harmonica), Kid Ramos (guitar), Anthony Geraci (keyboards), Willie J. Campbell (bass) and Jimi Bott (drums). They are all well-seasoned musicians whom played with countless bands and artists the past 40 years (JOHN LEE HOOKER, FABULOUS THUNDERBIRDS, SUGAR RAY, BO DIDLY, CHUCK BERRY, etc. etc.), so these are real veterans and they know exactly how to play the game. 12 songs are on their new album, which was produced by MIKE ZITO. Opener Get love is a very strong Soulful midtempo Bluesy Rocker, with a nice instrumental backup of guitars, hammond and a trumpet. Following Gone to stay is a sensational uptempo rocker with a certain melody that reminds me a lot of classic THE ROLLING STONES. The titletrack continues this same old school Soulful Rock/Blues sound, which also reminds me just a little bit of HUEY LEWIS somehow. I guess this is where Heart & Soul really come together and still rock out! The album is loaded with a lot more songs that mix Soul, Blues, Southern Rock, Americana and Rootsy Rock and Roll just perfectly, with as other highlights, the semi-Southern Rockballad Whom my soul loves (LOUSIANA'S LE ROUX meets LYNYRD SKYNRD), the midtempo slightly Westcoast ish Milinda, the lovely Nothing left to go (with it's relaxing vibe and guitarsolo, a perfect cross between Westcoast, Bluesy Rock and Blue Eyed Soul), the THE ROLLING STONES ish rootsy rocker Favorite dress and the groovy rocker Fallen. The album went to number 3 on the Billboard Blues Charts a few months ago, which is not so strange, because it as good as the other albums in that top 5 chart at the time (TESKEY BROTHERS, MARCUS KING and ROBERT CRAY). Concluded, a highly recommended album to check out for yourself at: https://www.theprovenones.com/

 

(Points: 8.6 out of 10)

 

TIGER MOTH TALES 'STILL ALIVE' (WHITE KNIGHT RECORDS/NINETEEN 73 PROMOTION/UK IMPORT)

 

Still alive is the 5th album of the British band TIGER MOTH TALES, a band or project formed around Notthinghamshire based musician and songwriter PETER JONES. He is involved with a few other acts as well (CAMEL, RED BAZAR), but TIGER MOTH TALES is his real baby and this new album is definitely another highlight in his career. It's also a unique album because it was recorded during the lockdown corona period and is more or less also saying that Peter is still alive! Anyway, the album consists of a mini-CD and a DVD, with in total 5 new songs. Opener and titletrack Still alive starts calm and emotional, a melodic progressive rockballad (if that actually exists a ballad in the progworld!), with superb vocals in the style of PETER GABRIEL. Following track The mighty fallen is a fantastic instrumental 80s influenced Symphonic Rocker that starts sorta uptempo and enthousiastic before diving into a beautiful calmer part with an amazing melodic guitarsolo that even has a bit of GARY MOORE crossed with DAVID GILMOUR, while it ends uptempo rocking in quite a heavy Progrockstyle. Golden is secretly an 80s influenced keyboard-led pop ballad with once again superb melodic clean vocals and it also has a slight proggy touch to avoid pure kitschness. Up next is the short somewhat experimental calmer dark psych-prog song Lean into the madness, while the band goes for an unexpected instrumental 80s Games tune (MARIO BROS!) in the song Whistle along, which is actually quite a funny tune. Closing the mini-album is the reprise of the opening titletrack Still alive. Nice new album of Peter, a very busy guy who is now mainly active in the studio, but is keen on going alive again, so this Still alive is a nice wake-up call for the people waiting to see him live on stage again. More info at: https://www.tigermothtales.com

 

(Points: 8.5 out of 10)

 

PANZERBALLETT 'PLANET Z' (GENTLE ARTS OF MUSIC/NINETEEN 73 PROMOTION/UK IMPORT)

 

The band PANZERBALLETT from Munich, Germany has already made quite an impact with their previous releases and their 7th album Planet Z will definitely also appeal to the fans of experimental music. They are led by guitarist, composer and arranger Jan Zehrfeld, who is joined by Heiko Jung - Bass guitar, Sebastian Lanser - Drums, Joe Doblhofer - Rhythm guitars and Alexander von Hagke - Saxophone. The music of PANZERBALLET is is very complicated experimental Progrock meets Jazz, guitar vs trumpet is what you get most of the time here and then it's either you get crazy or you absolutely love this high quality musicianship. Definitely worth checking out if you're in for instrumental madness as if FRANK ZAPPA and DREAM THEATER started a Jazzy Rockband! Women stay away I would say (LOL), becuse it's it's a full album with improvised creativity of musicians whom never seem to get tires of endless freaking on their instruments, but it definitely works and sounds like a real band in the end. JazzMetal is the band's description and well you could also call it Progressive Jazz with Metal riffs! Check out this insane band at: http://www.panzerballett.de/

 

(Points: 8.0 out of 10)

 

GABRIEL GARZON-MONTANO 'AGUITA' (JAGJAGUWAR/KONKURRENT)

 

Out of Brooklyn, New York born GABRIEL GARZON-MONATO, who has French and Columbian roots and he is a very talented Singer/songwriter and multi-instrumentalist who already has bult up a career with the 3 previous albums. Aquita is his 4th album, which starts quite calm, dark and experimental with opener Tombs, a song reminding me a bit of JOHN GRANT, but then with high falsetto vocals like PRINCE. Next song With a smile dives straight into the PRINCE territory, a short song with a very slight Latin touch as well, and basically a radio-ready modern popsong. Muneca is the first real let-down, because this is the computerized commercial latin pop like we hear it on radiostations such as RADIO 538. A completely different world is the following Fields, a very calm minimalistic experimental, almost Dark Wave song. Next song Mira my look is sadly a Rapsong, while PRINCE comes around when listening to Moonless. The following Someone might be the best song on the album, as here Gabriel really starts to sing and the song itself is modern R&B pop of a decent level and also the beautiful relaxing acoustic tingled singer/songwriter ish Bloom, they both show once again a different style. A pity that the following track Anquita is back to the computer latin pop again, but closing track Blue dot is then again a very calmer singer/songwriter tune at start while developing into a JOHN GRANT modern synth pop direction. You really have to take the time to understand this album, but I think the mixture of PRINCE, JOHN GRANT and commercial modern day Latin R&B/Pop with some rapping, this comes close to Aguita. Very diverse actually and perhaps an artist with the ambition of becoming a megastar in the future. More at:

https://gabrielgarzonmontano.bandcamp.com/album/ag-ita

 

(Points: 8.0 out of 10)

 

DEATH BELLS 'NEW SIGNS OF LIFE' (DAIS RECORDS/KONKURRENT)

 

Now here we have a sensational album from an Australian band called DEATH BELLS. They are settled in Los Angeles, California and released their debut album Standing at the edge of the world in 2017. 3 years later follow-up New signs of life is released and this is definitely a very impressive record, although I have to say it is not really original musically speaking and the 9 songs are very short (around 3 minutes at longest!), but on the other hand, DEATH BELLS are doing it all at an incredible high level. They perfectly mix the classic 80s British New Wave, Post-Punk, 80s Pop/Rock and current new retro Indie Poprocksound of all those bands from the British Islands that were popular in the 1980s and 2010s/2020s. All the songs are uptempo (except for the final song), so they have almost no tempo changes, which is not a pity at all, because DEATH BELLS is keeping up the positive uptempo high level from start to finish. Opener Heavenly Bodies is a mix of THE EDITORS and ECHO AND THE BUNNYMEN, while the following Two Thousand and Twenty goes into pure classic 1980s Post-Punk a la KILLING JOKE and titletrack New Signs of Life is back to the sound of THE EDITORS and SLOW READERS CLUB, although it is clear that this band should also appeal to fans of INHALER, LIFE, THE MURDER CAPITAL, FONTAINES D.C.

 

A little more 80s commercial New Wave influenced is the catchy synth driven uptempo Web of Love, with it's PSEUDO ECHO meets THE CURE similarities. The Sun That Shines Forever rocks more and is classic early 1980s Post-Punk in the KILLING JOKE style, while A Different Kind of Happy is a bit more commercial and lighter, sorta THE SMITHS ish, with even a cool 80s Saxsolo. Alison is going even more into the classic 80s pop/rock direction, with similarities to bands like ABC, A FLOCK OF SEAGULLS, ULTRAVOX, CHINA CRISIS, HEAVEN 17...  Sacred is back to Post-Punk again, very close to FONTAINES D.C. meets THE EDITORS, only less synths then. Closing track Shot down (Falling) is perhaps the shortest song, lasting only 2:19 minutes and is also the least interesting track. Concluded, this is a highly recommended album to fans of the classic British Post-Punk/Wave sound of all those mentioned bands, although at 27 minutes I would almost call it a mini-CD. Thankfully the incredible high level is making it a must-have for a lot of people, because it is one of the better releases in the genre in 2020! More info at: https://deathbellsband.bandcamp.com/album/new-signs-of-life

 

(Points: 8.7 out of 10)

 

PETER BRODERICK 'BLACKBERRY' (ERASED TAPE RECORDS/KONKURRENT)

 

The American singer/songwriter PETER BRODERICK has already released a quite a lot of records and is married to the praised singer/songwriter BRIGID MAE POWER. His new record is titled Blackberry and although the first couple of songs are not making such an impact, later on the album we can definitely find some beautiful songs. The album starts very calm with the acoustic singer/songwriter piece Stop and listen, but following But is more midtempo with drums and overall a richer sound, although the music remains in the singer/songwriter direction, with clearly a Humorous Touch, and this continues during the rest of the album. It has a kinda RANDY NEWMAN approach musically speaking, yet vocally completely different. Peter is sometimes speaking and then suddenly sing in an old kinda 50s crooner way (What happened to your heart). It's actually hard to describe this album, but Peter is definitely a talented musician/singer, because when he does for a more serious direction during the second part of the album, we can hear some beautiful songs, such as the melodic sorta Middle-Eastern tingled Singer/Songwriter Pop song The niece or the Classical Music influenced Ode to Blackberry, where he actually sounds quite sensational. Let it go is even one of the most beautiful singer/songwriter pop songs I have heard in a long time, sorta like a cross between JIM GROCE and FATHER JOHN MISTY, and back in the 1970s this would have become a major hit for sure! I think we have here an interesting album here that will be praised in especially the Singer/Songwriter circuit, although it really takes a while before you understand the beauty of it. More info at: https://www.peterbroderick.net/

 

(Points: 8.2 out of 10)

 

GALYA BISENGALIEVA 'ARALKUM' (ONE LITTLE INDEPENDENT RECORDS/KONKURRENT)

GALYA BISENGALIEVA is an award winning Kazakh/British violinist who has collaborated with composers such as Steve Reich, Laurie Spiegel, Suzanne Ciani, Terry Riley, Pauline Oliveros as well as commissioning and performing new works by Hildur Guðnadóttir, Sarah Davachi, Ipek Gorgun and Mica Levi. Her latest album Aralkum is a beautiful instrumental journey through dark calm sounds that are quite atmospheric and feel as background to a movie or documentary. I think even the open minded progfans might find something of interest here, because it is done quite well. Check for yourself at: https://galyabisengalieva.bandcamp.com/ 

(Points: 8.1 out of 10)

 

DEATH VALLEY GIRLS 'UNDER THE SPELL OF JOY' /SUICDE SQUEEZE RECORDS/KONKURRENT) 

The L.A. based DEATH VALLEY GIRLS was formed in 2012 and Under the spell of joy is already their 5th album. The band consists of singer and multi-instrumentalist Bonnie Bloomgarden, guitarist Larry Schemel, bassist Pickle (Nicole Smith) and drummer Rikki Styxx, while there are interesting guest appearances from sax player Gabe Flores and organ/keyboardist Gregg Foreman. 11 songs are on the alvum and while Hypnagogia starts calm, hypnotical and almost CLANNAD ish, following song Hold my hand is uptempo 1960s influenced Garage Rock, which sounds very strong actually. And the rock continues most of the rest of the album, with many great tunes, such as the midtempo slightly experimental titletrack Under the spell of joy, the lovely melodic DUM DUM GIRLS ish radio-friendly 60s influenced Garage Rocker Bliss out, the catchy Little things (a la THE BANGLES) and the mean dirty rocker 10 day miracles challenge, which sounds like a cross between THE RUNAWAYS and PATTI SMITH in her early years. Diverse, sometimes rawer, aggressive and experimental, while at other times radiofriendly and very catchy, that is what this band is all about. More info at: https://deathvalleygirls.bandcamp.com/album/under-the-spell-of-joy 

(Points: 8.2 out of 10)

 

BANANAGUN 'THE TRUE STORY OF BANANAGUN' (FULL TIME HOBBY/KONKURRENT) 

Although the start of the official debut album of the Australian band BANANAGUN is quite Indie Pop based with Bang go the bongos, the band drift more into a very cool 1970s driven psychedelic pop/rock adventure on the following songs, of which the sensational People talk too much is a step back in time to the mid 1970s or something like that. The band was started as a solo project by multi-instrumentalist NICK VAN BAKEL, but developed into a full band through the following years. The other members in the band are Jimi Gregg (drums), Jack Crook (guitar), Charlotte Tobin (djembe/percussion) and Joshua Dans (bass), and together with Jim they recorded this fun summer-friendly album that balances between Indie Pop, Classic 60s clean Pop, jungle sounds and 1970s groovier funk/rock. It's a pleasure to listen to the album and there are a couple of songs that are perfect to become huge hits, such as the wonderful Out of reach. Australia is at this moment a very interesting country to look for new talented acts with a slightly different approach than the standard musicstyles. Check out this band at: https://www.bananagunoz.com/ 

(Points: 8.4 out of 10)

 

BOB MOULD 'BLUE HEARTS' (MERGE RECORDS/KONKURRENT)

 

American guitarist/singer/songwriter BOB MOULD is best known as member of the legendary band HUSKER DU, a band which was influential for many bands that would emerge from the 1980s/1990s Alternative Rockscene. Eventually Bob quit the band and went solo, recording a lot of albums the past 32 years, of which Blue hearts is the latest one. It starts calm, short and sweet with Heart on my sleeve, but what follows are mostly razor sharp hard-hitting uptempo raw punky rockers that last around the 2:30 minutes on average. Here and there is gets a little calmer and midtempo pop/rock based (Forecast of rain and The ocean), but overall Bob is rocking in the uptempo mood, yet always with a melodic touch (Baby needs a cookie being my personally favorite), actually not far removed from FOO FIGHTERS, with whom he recorded Dear Rosemary. This is definitely a strong album that will probably be appreciated a lot by Bob's long-time fans! More info at: https://bobmould.com/

 

(Points: 8.4 out of 10)

 

CULTS 'HOST' (SINDERLYN/KONKURRENT)

 

CULTS is a New York based band where 2 multi-instrumentalists/singers come together and create a beautiful relaxing melodic dreampop meets indiepop meets shoegazesound. MADELINE FOLLIN and BRIAN OBLIVION are the 2 geniuses behind the duo CULTS and together they recorded a strong and impressive 4th album. The album was mixed by John Congleton (ANGEL OLSON, FUTURE ISLANDS), mastered by Heba Kadry (BJORK) and additional drum arrangements were done by Shane Humphrey (FLORENCE AND THE MACHINE, GUARDS...). Actually each of the 12 songs has the possibility of becoming a huge hit, because they sound quite catchy somehow, although the overall sound still has an underground cult kinda feeling due to the groovy funky rhythm and laid-back dreampop vocals. If I have to pick favorite songs, I would mention Trials, Spit you out (slight 1990s touch) and Working it over, all featuring superb melodies sung by Madeline. Recommended to fans of BEST COAST, BEACH HOUSE, WARPAINT, TENNIS and especially TAME IMPALE (with female vocals of course). More info at: https://cults.bandcamp.com/album/host

 

(Points: 8.3 out of 10)

 

WAX CHATTELS 'CLOT' (CAPTURED TRACKS/KONKURRENT)

 

When hearing the album Clot of the New Zealand based band WAX CHATTELS, you would not expect this band has no guitarist in their line-up, but this is a guitarless guitar music band. They make a sort of cross between Post-Punk and Noise-Rock, sounding quite heavy, aggressive and experimental (with even a proggy touch), but this is all done with a synthesizer, organ, bass, female/male vocals and drums. The resulting 2nd album Clot of the 3-piece band is an interesting record with 11 hard-hitting experimental songs that feel like SONIC YOUTH or SMASHING PUMPKINS, but then with an own identity. They are doing it very well and could easily breakthrough with this new album and especially songs like Glue, Efficiency and No ties. The biggest surprise of the album is the song Less is more, which is dangerously close to last year's THE MURDER CAPITAL song More is less, which could be a coincidence. Anyway, they do have musically a lot in common with that Irish band and also LIFE similarities are possible, but then without the guitars! WAX CHATTELS step away from the mainstream and standards and come up with an interesting record that should be heard by anyone with an open-minded view on rockmusic. More at: https://waxchattels.bandcamp.com/album/wax-chattels

 

(Points: 8.2 out of 10)

 

PENNY RIMBAUD 'HOW?' (ONE LITTLE INDEPENDENT RECORDS/KONKURRENT)

 

I remember records by JELLO BIAFRA of DEAD KENNEDYS that were spoken word and quite the contrast of his Punk years. Also former CRASS drumer/writer PENNY RIMBAUD has taken a step into that direction on How?, where he speaks and is backed by cello player KATE SHORT on 4 storytelling tracks. I think it's best for you to check it out for yourself if this is something that could be interesting for you at: https://pennyrimbaud.bandcamp.com/album/how

 

(Points: -)

 

UNIFORM 'SHAME' (SACRED BONES RECORDS/KONKURRENT)

 

Shame is the 4th album of the New York based trio UNIFORM. They were formed in 2013 and their line-up features Michael Berdan (vocals), Ben Greenberg (guitar, production), and Mike Sharp (drums). The music of SHAME is quite noisy and aggressive, sorta a mix between Thrash, Industrial and Hardcore. I would say songs like Life in remission (slow tempo) and All we've ever (uptempo) are not bad at all and so is the whole album, which is definitely in this genre a quality record, but UNIFORN is really only interesting for the people who appreciate their rock to sound underground, noisy and agressive. Better check it out for yourself at: https://unifuckingform.bandcamp.com/album/shame

 

(Points: -)

 

BLACK KNIGHT 'ROAD TO VICTORY' (PURE STEEL RECORDS/GERMAN IMPORT)

 

The bandname BLACK KNIGHT has been used several times in the past by various Metalbands, including a superb Canadian band with their Master of disaster release fro 1985, which was re-pressed onto vinyl sometime ago. However, we also have a Dutch band with the BLACK NIGHT name and musically this is also classic 1980s True Heavy Metal. The band was originally formed in 1981, released several demos in the following 10 years, but had to wait until 1999 before an official debut album titled Tales from the darkside was released. In 2007 a follow-up titled The beast inside was released, but then it becamwe quiet around the Amsterdam based band until 2020. The band's comeback brings a whole new dimension, because actually only drummer RUDO PLOOY is left from the original line-up. The other members joined the band at a later stage, guitarist GERT JAN VIS (3RD MACHINE) during the 1990s, bassplayer RON HEIKENS (PROFOUND) a number of years ago and in 2017 the vocalist DAVID MARCELIS (LORD VOLTURE, THORIUM) and guitarist RUBEN RAADSCHELDERS completed today's line-up of BLACK KNIGHT. Their sound is clearly classic 1980s Melodic Metal, with twin-guitars, high-pitched vocals and a sing-a-long choruses, done at a very high level and reminding of the times when IRON MAIDEN, PICTURE, JUDAS PRIEST, LOUDNESS, EXCITER, HIGHWAY CHILE, ANVIL and such were ruling the Dutch Metal Airwaves. Headbang Metal which nowadays seems to have an underground following among youngsters. BLACK KNIGHT bring back the glorious 80s uptempo Melodic Metal sound on the 8 included songs, of which the highlights are Road to victory, My beautiful daughters, Primal power (PRIEST meets PRIMAL FEAR) and the album's finest song, which is the reworked old 80s written tune The one's to blame (quite catchy and very melodic chorus, a bit like ASKA). Definitely a highly recommended album to the fans of classic 80s melodic metal of the old IRON MAIDEN school! More info at: https://www.facebook.com/BlackKnightNL/

 

(Points: 8.4 out of 10)

 

KENZINER 'PHOENIX' (PURE STEEL RECORDS/GERMAN IMPORT)

 

In the early to mid 1990s KENZINER were among the first bands I got to review after receiving their debut album as promo CD. 25 years later I am proud to review their 4th album, which is the follow-up to 2014's The last horizon. The Finnish band was among the first ones to play Neo-Classical Melodic Power Metal in the mid 1990s, along with STRATOVARIUS and SONATA ARCTICA, also both hailing from Finland. Phoenix brings a few changes compared to their past, because they have a new singer called PETER "ZINNY" ZALESKY, who has got a pure Metal voice, including the high pitched screams you need to actually be one! 10 songs are on their new album, which sounds really sensational. Highlights are the fantastic Shadow of the moon (PRETTY MAIDS meets MOB RULES meets STRATOVARIUS), Tears of destiny (lovely song, superb catchy chorus in the style of MALMSTEEN circa 1986!), the midtempo Osiris rising, the terrific pure 1980s Neo-Classical Melodic Rocker (PRETTY MAIDS meets DOKKEN meets MALMSTEEN) and the SONATA ARCTICA/STRATOVARIUS ish faster The mirror. The band slows things down during the closing track The miracle, which is a very nice semi-ballad. Highly recommended band to anyone who misses the Neo-Classical Melodic Power/Prog Metal sound of the 1990s, which was so popular in especially Japan back then! Check them out at: https://www.facebook.com/kenzinerofficial/

 

(Points: 8.6 out of 10)

 

SATANICA 'RESURRECTION OF DEVIL'S SPIRIT' (PURE STEEL RECORDS/GERMAN IMPORT)

 

Founded in 2002, the Japanese band SATANICA already released 3 albums before Resurrection of devil's spirit. It is however 10 years ago since their previous album We are Satan's preacher was released, so we welcome them back with this new album. Although they look like a Black Metal band, SATANICA's sound is mostly faster melodic metal/power metal in the style of the legendary Japanese bands of SABER TIGER, ANTHEM, LOUDNESS, BOW WOW, CONCERTO MOON, etc. The vocals are usuallly the weakest point of Japanese bands, because instrumentally speaking everything sounds picture perfect and this is also here the case. Especially during the faster songs, lead singer RITTI DANGER's voice sounds quite average I am afraid, but during the somewhat slower songs, he sounds quite acceptable actually. Ritti is by the way also the drummer of SATANICA! Anyway, the best songs are the more melodic hardrock orientated pieces, such as Liar, Dark star (with superb SCORPIONS ish guitarwork) and the instrumental Kamikaze. Closing track Deal with the devil is the only song where the vocals are saved by a strong melodic harmonyvocals driven chorus, but despite it is quite a good album, the struggling with the vocals is sometimes making it hard. Nevertheless, fans of the classic Japanese Melodic Metalsound will love this band for sure! More info at: https://www.facebook.com/pg/SatanicaOfficial

 

(Points: 7.9 out of 10)

 

MOSH-PIT JUSTICE 'THE FIFTH OF DOOM' (PURE STEEL RECORDS/GERMAN IMPORT)

 

The fifth of doom is the new album of the Bulgarian band MOSH-PIT JUSTICE, a Thrash Metal band that has nothing to do with Doom, despite this being mentioned in the title of their 5th album. There were guest appearances of musicians whom played in TESTAMENT and JEFF SCOTT SOTO band on their previous album, but this band is a pure Thrash Metal band with some very aggressive moments. It's done well and Thrash Metal fans might want to check them out at: https://mosh-pitjustice.bandcamp.com/

 

(Points: -)

 

MADHOUSE 'BRAINDEAD' (PURE STEEL RECORDS/GERMAN IMPORT)

 

The German band MADHOUSE has a long history which goes back to the 1980s, because they were founded in 1987 and managed to release several demo tapes during the following years. Although they played gigs as support for established acts like DARXON, ZED YAGO and CHROMING ROSE, they split up in 1991. However, in 2014 they reunited and several years later released their debut album Metal or die!, which is now followed by Braindead. The band's line up in 2020 consists of Didi Schulz/vocals, carsten Krekow/guitar, Thomas Gamlien/guitar, Lars Rothbart/bass and Paul Slabiak/drums and their music is basically Teutonic Heavy Metal at it's finest. They have a real shouter who can easily compete with the well-known shouters of this genre. Imagine a mix between GRAVE DIGGER, RUNNING WILD, ACCEPT and SINNER, then you're very close to MADHOUSE. After going full speed ahead on the first 4 songs, they take a slight step back to a more midtempo sound on the titletrack, which is a very strong tune! However, they are their best during the faster uptempo pieces and despite the fact that

MADHOUSE might not be innovative, they are definitely a high quality band with a superb classic Melodic Teutonic Heavy Metal sound that brings out the best in this genre on their new album Braindead, which is a must-have for fans of the mentioned classic German bands! Check them out at: https://www.facebook.com/hellbangershamburg/

 

(Points: 8.5 out of 10)

 

BLAZING RUST 'LINE OF DANGER' (PURE STEEL RECORDS/GERMAN IMPORT)

Line of danger is the 2nd album of BLAZING RUST, a band from St. Petersburg/Russia with a pure 1980s sound that is more melodic than most of the other releases on PURE STEEL RECORDS. In fact, they are sounding dangerously close to the mid 1980s sound of bands like MAD MAX, PRETTY MAIDS, early EUROPE and even DOKKEN. The band's line up consists of Igor Arbuzov - Vocals, Roman Dovzhenko - Guitar, Serg Ivanov- Guitar and Dmitry Dovzhenko - Drums. 8 songs are on their new CD, of which opener Let it slide is faster uptempo melodic heavy rocker like a mix between MAD MAX and PRETTY MAIDS, while following Line of danger is a fantastic uptempo melodic rocker that brings memories of the first 2 EUROPE albums and DOKKEN! They are doing it really well and everything just sounds perfect, including the soaring guitarsolo and catchy memorable chorus. The vocals are also very decent, so it is an enjoyable journey through the 80s melodic rock and melodic metal sounds with those big classic guitar riffs from the MALMSTEEN, RATT, DOKKEN school when hearing the beginning of Amidst the furious waves that is also reminding me a bit of EUROPE's Seven doors hotel. Race with reality speeds up the tempo, because this is a faster uptempo piece that even reveals classic NWOBHM influences, but like in each and every song BLAZING RUST is all about melodies that stick in your head, and MAD MAX meets PRETTY MAIDS is also here a good description. The remaining 4 songs continue the mixture of aforementioned bands, with as absolute highlights the superb catchy chorus of Only to burn and the hookladen Crawling blind. Although the album only has a playing time of 38 minutes, the high quality of the included material is definitely impressive and fans of the aforementioned bands will absolutely love this sensational band! Check out this excellent Russian band at: https://blazingrust.bandcamp.com/  

(Points: 8.7 out of 10)

 

ANGBAND 'IV' (PURE STEEL RECORDS/GERMAN IMPORT) 

ANGBAND is a very special band, because they are coming out of Tehran, Iran! They are the very first Iranian Metalband with an international record deal and they already deliver their 4th album with this new album IV on PURE STEEL RECORDS. The band was formed back in 2004 and their current line-up consists of Tim Aymar - Vocals, Mahyar Dean - Guitars and Ramin Rahimi - Drums and percussions. The band's music is typical western melodic metal, with elements of prog and power metal, with here and there a tiny touch of their own Persian folk music, such as can be heard during the start of Visions in my head and a couple of times during the 9 included tracks. However, most of the time they play the typical Melodic (Power) Metal like we know it from bands such as PRIMAL FEAR, ASKA, IRON MAIDEN, etc., including shredding guitarwork and high pitched screams, with as highlights Fighters, Insane and Cyrus the great. Concluded, ANGBAND is a very decent band playing your typical headbanging Melodic Metal, but most interesting fact here is that they are coming out of Iran! More info at: https://angbandmetal.weebly.com/ 

(Points: 8.0 out of 10)

 

KAT 'THE LAST CONVOY' (PURE STEEL RECORDS/GERMAN IMPORT)

The new album The last convoy of the legendary Polish band KAT is a mix of originals and covers. KAT was formed all the way back in 1979 and they have released a lot of albums throughout the years and even toured with METALLICA in Poland during the 1980s. Anyway, fast forward to 2020, the band's line up consists of Qbek Weigel– vocals, Piotr Luczyk – guitar, Mariusz Prętkiewicz – drums and Adam "Harris" Jasiński - bass and this new album features a special guest called TIM "RIPPER" OWENS (ICED EARTH/PRIEST/ROCK STAR). The only album I ever heard of this band was a 1987 LP I have somewhere in my collection, but I can't remember, although I think I am gonna search for it, because this new record sounds very good. KAT is clearly focused on bringing classic Melodic (Power) Metal in the 80s style of bands like IRON MAIDEN, JUDAS PRIEST and PRIMAL FEAR, although they also remind me a lot of GRAVE DIGGER, RUNNING WILD and such 80s Teutonic German Metal. 9 songs are included, and as already mentioned, besides the original songs of the band, we can also hear covers of such classics like Blackout (SCORPIONS), You shook me all night long (AC/DC) and Highway star (DEEP PURPLE). Most interesting song however is the calmer acoustic Dark hole - The habitat of Gods, a beautiful song with lovely lead- and harmonyvocals, showing a completely different melodic side of KAT. KAT is definitely a legendary band and like so many other bands from the eastern of Europe sadly only popular in their area (just like DIVLJE JAGODE, TURBO and such), because they have definitely delivered the goods in 40 years of metal history! Check out their new album and more info at: https://kat-band.com/ 

(Points: 8.2 out of 10)

 

STARBLIND 'BLACK BUBBLING OOZE' (PURE STEEL RECORDS/GERMAN IMPORT)

 

STARBLIND from Sweden is clearly influenced by IRON MAIDEN, which can be heard on their 4th album Black bubbling ooze. From the start until the finish, this is pure Melodic Metal in the classic MAIDEN style, with even a singer (Marcus Sannefjord Olkerud) sounding a lot like BRUCE DICKINSON. It's a rather short album, 35 minutes in length and only 8 tracks in total. Not really a big issue, because STARBLIND are playing their MAIDEN ish Metal at full speed and at a very high level. Don't expect surprises here, but on the other hand, the fans of real Melodic Metal with high pitched vocals and shredding twin-guitars will absolutely love to sing-a-long with an anthem like the superb Here I am! STARBLIND might not be original, they are thankfully doing it really well and therefore they are highly recommended! Check them out at: https://www.starblind.se/

 

(Points: 8.4 out of 10)

 

ATTAXE '20 YEARS THE HARD WAY' (PURE STEEL RECORDS/GERMAN IMPORT)

 

Now this is cult underground stuff that should have been much bigger back in the day! ATTAXE were one of many US bands with demo tape releases only during the glorious 1980s. Eventually they quit without a single album release, but in 2006 a compilation album was released independently and now in 2020, that CD 20 years the hard way is re-released by PURE STEEL RECORDS. Not to be confused with the same named Californian Thrash Metal band, this ATTAXE from Cleveland, Ohio featured an incredible high-pitched singer (JUAN RICARDO from RITUAL) of the GEOFF TATE/BRUCE DICKINSON school, while the music is classic 80s US Melodic Metal in the style of bands like RUFFIANS, HEIR APPARENT, SAVAGE GRACE, VICIOUS RUMORS, HELSTAR, AGENT STEEL, FIFTH ANGEL... The band also featured members of LIZZY BORDEN, BORN RUDE, PURGATORY and ANTITHESIS, so despite ATTAXE never made it big, the members ended up in other more successfull bands. 15 songs can be found on this compilation CD, which is a must-have for fans of aforementioned bands. Songs like Blood on the moon, Pedal to the Metal, Jealousy, Suicide or any of the included songs are a dream come true for the fans of this genre. The songs are taken from the demos the band recorded between 1985 and 1990, but thankfully the sound quality is perfect and making it sound very fresh actually. It's funny to hear the band changing soundwise a bit between the first demo from 1986 and their last demo from 1990, because when hearing Out of the storm from 1986, they are clearly less high-pitched in the vocal department, but with Are you ready from 1990, it's completely outta control and sounding like PRIEST meets AGENT STEEL. Anyway, it's all good what they did and this can now be checked at: ATTAXE at: https://puresteelrecords.bandcamp.com/album/20-years-the-hard-way

 

(Points: 8.7 out of 10)

 

BETTE SMITH 'THE GOOD THE BAD AND THE BETTE' (RUF RECORDS/GERMAN IMPORT)

 

The good, the bad and the bette is the 2nd album of Brooklyn, New York based BETTE SMITH. She has all the ingredients to become the next Soul diva and she surely knows how to rock quite hard as well on this new album. Bette gets help from a lengthy list of musicians, such as Bassist and producer Matt Patton, Guitarists Craig Pratt, Curtis J. Brewer, Jody Nelson, John McLeod, Luther Dickinson and Bronson Tew (also co-producer), Guitarist/Organplayer Jimbo Mathus, Horn/Organplayer Henry Westmoreland, Pianist Eric Carlton and Jamison Hollister on strings. The most interesting thing here is the diversity in music, because Bette has a fantastic voice that suits a perfect Soulful Bluesy rockstyle and is a combination of YOLA and TINA TURNER vocally speaking. However, the music is not only in the Soul/Blues direction, because as already mentioned, it surely rocks here and there, with a few songs that even touch the Southern Rockstyle like a BLACK CROWES meets LYNYRD SKYNYRD, but then of course with the lovely vocals of Bette. Songs like the uptempo Southern rockers I'm a sinner, I felt it too and the midtempo Everybody needs love are all great real rough Rock and Roll songs. Fistful of dollars, Human and Pine belt blues are YOLA/TINA TURNER ish groovier and funkier bluesrocksongs with a lot of Soul, while she also delivers calmer Soul ballads like Whistle stop, Signs and wonders, Song for a friend and Don't skip out on me, where she sings and sounds like the classic Soul/R&B singers from the past. Concluded, this is a highly recommended album that cuth both ways, because both the rockers and romantic sentimental people among us will find something of interest here. BETTE SMITH is a must-have for fans of YOLA CARTER, but even BLACK CROWES/LYNYRD SKYNYRD fans will find something of interest here! More info at: http://www.bettesmith.com

 

(Points: 8.5 out of 10)

 

THE RAGTIME RUMOURS 'ABANDON SHIP' (RUF RECORDS/GERMAN IMPORT)

 

We reviewed the debut album of the Dutch band THE RAGTIME RUMOURS not so long ago, but they are now about to release their new album Abandon ship. The band's line-up consists of Tom Janssen (Vocals, Banjo, Guitar), Thimo Gijezen (Guitar, Piano, Accordion, Bass, Vocals), Niki v.d. Schuren (Bass, Sax, Flute, Vocals) and Sjaak Korsten (Drums, Washboard, Kazoo, Vocals) and Abandon ship is their 2nd album so far. They play a mix of Bluegrass, old time 50s Rock & Roll/Rockabilly, Blues and Gypsyjazz, and 12 songs are included on this very strong new album. They have already won a few Awards and with this new album, they will definitely become even more popular, despite they can't perform much nowadays. However, the incredible high level of Abandon ship should gain them new fans I think. It is a very diverse album, because there's uptempo Bluegrass (Abandon ship, 5h left), 50s Jazzy RANDY NEWMAN ish singer/songwriter (A romantic story between Minne and Dave), bluesy rock (Pinocchio), early 50s rock and roll a la THE COASTERS (Undressing me), calmer Blues (Valley of the Gods) and even a Latin jazzy ish song with strong female vocals (Yes, my darling daughter). There are a lot of various directions from past music genres to be found on this album and it's all done just perfectly. Go check them out at: https://theragtimerumours.com/ and hopefully soon they will be able to perform live again!

 

(Points: 8.5 out of 10)

 

JEREMY D'ANTONIO 'SPINNIN' WHEELS VINYL RECORD' (8 TRACK RECORDS/XO PUBLICITY/USA IMPORT)

 

Although we do not review Country Music so much, in the USA there has always been a huge scene filled with new acts playing this genre. Singer/songwriter/guitarist JEREMY D'ANTONIO from Richmond, California was kind enough to sent me his 5 tracks counting debut Vinyl Record Spinnin' wheels. He recorded this album with musicians from the former bands of MERLE HAGGARD and BUCK OWENS and it was mixed by MALCOLM BURN (EMMYLOU HARRIS, BOB DYLAN, NEVILLE BROTHERS. CHRIS WHITLEY...), so basically there are a lot of professional people involved in the making of Jeremy's first album. The result is a strong traditional Country album like it was made in the 1970s by countless artists. Jeremy sings and writes most of the songs on his own and he also plays the acoustic guitar. The only song he didn't write is the JOHN PRINE cover Speed of the sound of lonliness. Sad and blue starts very calm and like a real classic country crooner ballad, while following Speed of the sound of lonliness is a bit more uptempo, but also pure Country-Rock. The overall sound of Jeremy is very melancholic and slightly depressing in it's approach, but that makes it also very fragile. He has got a great pure country voice, so I can imagine fans of classic country will absolutely love this record, but also outside the country world this should definitely be given a chance! Turning over to Side-B we can find the titletrack, which is another strong Country ballad in the classic style of the genre. Following track Heaven knows is a bit more uptempo again, with this time a slight JOHNNY CASH touch. Closing this fine vinyl record is Crawlin' out of my skin, which is as close to pure County you can get! I even think fans of DANNY VERA will like this album, so the conclusion is that this is a highly recommended mini-EP to all country fans out there! More info at: https://www.jeremydantonio.com/music/

 

(Points: 8.3 out of 10)

 

KIRK FLETCHER 'MY BLUES PATHWAY' (CLEOPATRA BLUES/USA IMPORT) 

Former guitarist with THE FABULOUS THUNDERBIRDS, KIRK FLETCHER returns with his 6th album My blues pathway, which is more or less a tribute to his influences from the past. The new album consists not only of covers, but also originals of Kirk, so there is a nice mixture going on here. Besides Kirk on guitar and vocals, other involved musicians are Bassplayer Travis Carlton, Drummers Lemar Carter and David Kida, Keyboardplayer Jeff Babko, Saxophoneplayer Joe Sublett, Trumpetplayer Mark Pender and Harmonicaplayer Charlie Musselwhite. The result is a very good album with strong vocals and guitarplaying from Kirk. He has a very deep and low soulful vibrato in his voice, while his guitarplaying is of the old blues school (BB KING, MUDDY WATERS) and the music has a relaxing vibe, so a great combination that works on the 10 songs of this album. Sometimes it reminds me a bit of ROBERT CRAY, especially during the rockier songs such as Ain't no cure for the downhearted, Struggle for Grace, I'd rather fight than switch and Place in this world. Kirk is also able to go for smoother calmer balladry, which can be heard during songs like Love is more than a word and Heart so heavy. The Old school Blues influences can best be heardduring Fattening frogs for snakes, which is a cover of SONNY BOY WILLIAMSON, and also closing track Life gave me a dirty deal, a JUKE BOY BONNER cover. Nice new album of KIRK FLETCHER, recommended to the fans of calmer blues rock. More info at: http://kirkfletcherband.com/ 

(Points: 8.3 out of 10)

 

WILLIAM SHATNER 'THE BLUES' (CLEOPATRA RECORDS/USA IMPORT)

 

Never in my life I would have honestly thought that I would be reviewing a music related album of WILLIAM SHATNER! Anyway, The blues is his album as a singer instead of a presenter of such a legendary show like RESCUE 911 or a sci-fi show like STAR TREK. He recorded an album with an impressive list of musicians and sings himself, but I am afraid his vocal adventure should not be continued with another record. it's the same situation as CHRISTOPHER LEE, the famous Horror movie actor who recorded a Metal album with well-known musicians from RHAPSODY and MANOWAR. William did the same and recorded with people like BRAD PASIELY, TYLER BRYANT, RITCHIE BLACKMORE (!), ALBERT LEE, CANNED HEAT, SONNY LANDRETH and many others an album full of pure Blues. These are mostly covers of classic Blues tunes such as I can't quit you baby, Sunshine of your love, Mannish boy, I put a spell on you, etc. I think it's best for him to stick to presenting, because now this album is just his music legacy to the world and yes I am aware he recorded more albums in the past, but this feels like a Spoken Word Blues album and really only of interest for a small amount of people...

 

(Points: -)

 

STARBENDERS 'STARBENDERS EP/JAPANESE ROOMS EP/LOVE POTIONS FULL ALBUM - VINYL RECORDS + CDs' (B.I.J. RECORDS/JAPANESE IMPORT)

 

Formed in 2014 in Atlanta, Georgia, USA, the band STARBENDERS have already released a lot ot music and I was pleasantly surprised to receive all their work on both CD and VINYL. Their albums have only been released in Japan so far, so it is quite hard to get abroad. They signed with the Japanese label B.I.J. RECORDS a few years ago and over there the band is slowly becoming quite popular, with even a Japanese tour in 2019. Corona got in the way when they were about to release their full-length album Love potions earlier this year, but nevertheless the future still looks bright. I can inform you that we are dealing here with a sensational band that could easily become the next big thing when hearing their fantastic album releases. I can even add here that STARBENDERS could become as huge as for example PARAMORE or HALESTORM, because they have something to offer here which is irresistible. First of all the lovely Japanese pressings of the 3 albums they released, because they all look beautifully and thankfully all the albums are loaded with superb music that is in general speaking pure Rock and Roll the way it should sound! The band's line-up consists of Kimi Shelter - lead vocals/guitars, Aaron Lecesne - bass, Emily Moon - drums and Kriss Tokaji- guitars/vocals, and their brand of rock and roll should appeal to a lot of people I think, because it covers many decades of rock influences.

 

Their same titled EP from 2018 consists of 6 tracks on the vinyl version and 2 additional tracks on CD. Side-A  features the superb catchy full-blown uptempo rockers While I was sleeping (BLONDIE in her best days), Zero (awesome killer chorus and super tight guitarsolo, classic early 1980s PAT BENATAR ish, with sensational rawer STEVIE NICKS ish vocals during the 2nd part of the song) and Downtown (TORONTO meets modern day Rock and Roll, with once again sensational guitarwork). Side-B opens with the beautiful and very melodic Julian, a somewhat quirky rocker with a very nice radio-ready chorus. Paper beats rock goes almost for a pure 1970s Glamrock approach, kinda like T-REX in a catfight with classic JOAN JETT and THE RUNAWAYS, which is very well done indeed! U like me now is another uptempo rocker, this time edgier and punkier, with a very raw sound, and it closes the EP Vinyl record of the band's same titled debut album.

 

Death by amplifier opens their Japanese rooms EP from 2019, and this first song is big time uptempo raw Garage Glam/Punk Sleazy rock like even THE RUNAWAYS didn't produce during their heydays, but perhaps it also sounds a bit like THE DONNAS or THE RIPLETS. Touch is quite laid-back, still rocking through, but more radio-ready rock and roll. Closing track of Side-A is Downtown (also on their debut EP), a nice quirky poprocker with an early 80s touch like SHANDI or LAURIE LEE AND THE SIGHS if anyone can remember them! Side-B opens with a very synth driven modern touch, so clearly a different side of STARBENDERS this midtempo Synthpop orientated Never lie 2 me. Next track Far from heaven is then again classic uptempo rock and roll with a high pitched vocal chorus that is radio-ready and this song also features a killer classic rock guitarsolo. 21st Century Orphan is back to their bubblegum Garage/Sleazy rocking debut EP again, meaning this is a big Glamrock anthem like T-REX meets JOAN JETT/THE RUNAWAYS.

 

Love potions is their new album and the first full-length album available on CD, with 15 tracks in total. The sound is massive and it seems they have come up with their best effort so far, with a strong focus on catchy hooks and memorable choruses, so quite 80s inspired, but still with a modern rock vibe as well. Here and there the music goes almost in a Dreampop direction vocally speaking (Push), but overall it still rocks from start to finish! The highlights here are Hangin' on tonight (big time classic rock anthem), Can't cheat time (vert catchy hookladen poprock tune), Cover me (pure 1980s melodic poprock anthem), Bitches be witches (superb 80s AOR/Poprock, with a deadly catchy chorus that would make STEVIE NICKS, FIONA and THE MOTELS very jealous!), London (incredible chorus, if THE BANGLES would be mixed with THE PRETENDERS and DIVINYLS), Down & out (yet another marvelous catchy chorus, like THE MOTELS (Take the L song) and the Japanese bonus track True love (lovely catchy uptempo melodic punkpoprocker like BLONDIE would have loved to do in the late 1970s!).

 

STARBENDERS sound fresh, rock quite hard and are still very melodic, but they also have a modern and retro rockin' vibe edge. Concluded, this band combines it all and is destined to become huge! It's unbelievable that STARBENDERS have not had their big breakthrough yet! STARBENDERS are a unique band for sure! Check them out a.s.a.p. at: https://www.starbenders.com/

 

(Points: 9.0 out of 10)

 

CIRAXIS 'VARIOUS RECORDINGS' (INDEPENDENT/USA IMPORT) 

Although there are cookiemonster/death growls to be heard in the songs of the Illinois, USA based band CIRAXIS, they proudly sent me 3 CDs they released so far and most of the material is nevertheless impressive Melodic epic Metal with actually an own direction. SAVATAGE, QUEENSRYCHE, SYRIS, EVERGREY, PSYCHOTIC WALTZ, FATES WARNING and such Melodic 80s epic Prog/US Melodic Metal is the name of the game here, but as already mentioned, within this sub-genre CIRAXIS has somehow created an own style. Formed in 2017, this 3-piece band released their debut album Atrocities back in 2018 and their CD-singles Bound to flesh and Judgment: Condemned in 2020. Kyle Bissell - Bass/Vocals, Darek Mix - Guitar and Taylor Mix - Drums are together CIRAXIS and they are doing things at a very high level here. The album covers are drawn by Kyle, who does an excellent job! Musically speaking, the highlights in their discography are Being, Pink cloud (lovely guitarwork) and the MAIDEN ish Order of no quarter from their debut album Atrocities. The new songs follow the same route and despite the growling is not disturbing, it might put off some fans of classic 80s melodic prog/epic metal, but on the other hand a band like OPETH got away with it, so why not try CIRAXIS, because they are good to be avoided. In fact, they have the potential to sign with a German Metal label someday in the future! More info at: https://ciraxis.com and https://ciraxis.bandcamp.com/music

(Points: 8.0 out of 10)

 

SIGUE SIGUE SPUTNIK ELECTRONIC 'DNA 2049 VINYL RECORD' (B.I.J. RECORDS/JAPANESE IMPORT)

 

In the UK the New Wave band SIGUE SIGUE SPUTNIK has a real cult following in the Punk, Techno and New Wave scene, because they combined these genres to an exciting new level since their formation in 1982. Especially in the 1980s they were more or less quite popular in the underground and with the song Love missile F1-11 they even scored a hit movie themesong for the 80s classic movie Ferris Bueller's Day Off. Anyway, most of the members went different directions throughout the years, playing with several other bands and now in 2020 a sort of spin-off called SIGUE SIGUE SPUTNIK ELECTRONIC is still active and raising the flag for this classic 80s New Wave band. It's actually a duo consisting of original singer Martin Degville accompanied by Johann Weidemann on keyboards. Together they released several albums the past few years actually, but it is the Japanese label B.I.J. RECORDS that takes it a bit further with the offficial releases of the band's material. The 2013 album DNA 2049 is available now on both CD and VINYL and the included music is is sounding very futuristic and quite original when opener DNA - Electronic DNA passes by, although when listening to the uptempo Cyberpunk uptempo rocker Neon cruise, it's like I am listening to a cross between CHEAP TRICK, SHOTGUN MESSIAH and ROGUE MALE, with a distorted Hardcore House drumbeat speeding things up to a Club/Disco tempo. On the other hand, you also have a calmer Sci-Fi wave ballad like Tastes like chocolade, with its 80s ish power ballad guitarsolo, and Side-A of the vinyl record closes nicely with the catchy uptempo Where Have All The Rock Stars Gone? that in the hands of BILLY IDOL would have been huge 30+ years ago! Side-B continues with more or less a same kinda mixture of Cyberpunk, Techno beats and quirky 80s Punkpoprock choruses, such as during uptempo catchy rockers like I Don't Wanna Live In Reality and 1000 Tears, while also there is a smooth guitarsolo of the CC DEVILLE  kind in a Wave Ballad like Ain't Somethin' Good Gonna Happen Tonite and how about dark Synthwave during the strong catchy closing track Terror Bytes. Together with an extravagent look, this band was back in the day already been set apart from the rest and also in 2020 this new version of SIGUE SIGUE SPUTNIK continues to shock like bands such as THE TUBES and CHEAP TRICK did back in the 1970s. Check them out at: https://ssselectronic.bandcamp.com/

 

(Points: 8.1 out of 10)

 

SOAP GIRLS 'SOCIETYS REJECTS' (B.I.J. RECORDS/JAPANESE IMPORT) 

If you ever thought THE RUNAWAYS were shocking with their visual performance live on stage and explicit lyrics, then I guess you never heard of SOAP GIRLS. This sister-duo act from South African is based around the French born sisters Camille Debray (vocals, bass) and Noemie Debray (vocals, guitar). Together with a few session drummers they recorded 4 albums the past 10 years, of which their debut Xperience made it to number 1 in the charts of South Africa, and it was also released on major label UNIVERSAL MUSIC. Eventually SOAP GIRLS went independent throughout the 2010s and they released 3 more albums this way, of which their 2017 release Society's rejects is released officially on CD by the Japanese label B.I.J. RECORDS. The included music is very strong catchy chorus driven uptempo punky melodic heavy rock and roll that might not sound really original, as this has been done by countless others in the past, but SOAP GIRLS are nevertheless bringing us a bunch of really catchy tunes on this album at a high level. Some more variety wouldn't hurt of course, but on the other hand uptempo rockers like Society's reject, Johnny Rotten, Air, Bad bitch, One way street (Japanese bonustrack), Rather B dead, Bury me and Play with fire are deadly catchy tunes you will be singing along to for sure! If you like THE DONNAS, THE RUNAWAYS, THE RIPLETS, ENVY, POISON DOLLYS and such bands, then you will love SOAP GIRLS and if you don't, then this Japanese CD release will wet your appetite nevertheless, because they are both beautiful looking girls who can also sing, play and write a decent tune! More info at: https://thesoapgirls.bandcamp.com and http://thesoapgirls.band/

(Points: 8.4 out of 10)

 

ISOLATED YOUTH 'WARFARE EP CD + IRIS VINYL RECORD' (B.I.J. RECORDS/JAPANESE IMPORT)

Out of Stockholm, Sweden comes ISOLATED YOUTH, a band formed in March 2017 by brothers William (guitar) & Axel Mårdberg (vocals, guitar, synths) along with Egon Westberg Larsson (bass) and Andreas Geidemark (drums). They already released 2 albums since their formation, both EP's, of which Warfare is only available on CD, but the new album Iris is out on both CD and VINYL. The music of ISOLATED YOUTH is clearly 1980s influenced British New Wave/Post-Punk in the style of ECHO AND THE BUNNYMEN, but the high pitched vocals is making it sound just a little bit different. Axel has a voice which sounds quite unique for a male, because he has the incredible high falsetto like we also know it from JIMMY SOMMERVILLE for example. In combination with the Post-Punk-Wave, it gives ISOLATED YOUTH an own identity. It really takes some time to get used to the vocals, because it makes the band sound like a combination of THE CRANBERRIES, ERASURE and ECHO AND THE BUNNYMEN, with especially on their debut Warfare a more 80s Alternative Gothic Rock approach, which is quite interesting! The new album Iris is more New Wave orientated and apart from the somewhat extraordinary lead vocals, the music is definitely pure Post-Punk/Wave orientated overall, but I really think it's best you check them out for yourself at: https://isolatedyouth.bandcamp.com and http://isolatedyouth.jp and http://www.isolatedyouth.com

(Points: 7.5 out of 10)

 

VANT 'CONCEIVED IN THE SKY VINYL RECORD + CD ' (B.I.J. RECORDS/JAPANESE IMPORT)

 

And here we have an interesting one man's band from London, UK. It's called VANT and the man behind this band or project is MATTIE VANT, who sings, writes, produces, records, plays guitar, bass, keys, drums and does basically everything on the 2nd album Conceived in the sky. He was only assisted by SAM MILLER, who mixed and mastered the album. There are 13 tracks included, but a few are short interludes, so they should not be counted actually. Opener Mary don't mind starts the album in a very sensational positive uptempo direction, basically pure British New Wave/Post-Indierock like we know it from bands like THE SLOW READERS CLUB, THE EDITORS, ECHO AND THE BUNNYMEN and countless more. Be aware that not the whole album goes in this direction, because there are quite a few songs that have a sound that could be described as modern hi-tech dancepop with somewhat programmed drums and vocals, such as Lie to myself, Best friends and Exoskeleton. Such songs would do really well on radio I think, because they are very catchy and couldn't sound more modern pop! In fact, such songs do have the potential to make MATTIE VAT a superstar like BRUNO MARS, JAMES BAY or ED SHEERAN. It gives the album a very commercial approach, which is a pity, because VANT can do so much better like heard on that first song Mary don't mind. Nevertheless, later on the album we can hear a few more Britwavepop ish songs, such as Propaganda machine and the experimental Atlas falling, but after repeated spins it really is a modern popalbum in general and actually a really good one if you like the mentioned popular artists. Check out all on VANT at: www.wearevant.com and https://www.facebook.com/wearevant

 

(Points: 8.0 out of 10)

 

ATTICK DEMONS 'DAYTIME STORIES... NIGHTMARE TALES' (ROCK OF ANGELS RECORDS/GERMANY IMPORT) 

Daytime stories... nightmare tales is the 3rd album of the Portuguese band ATTICK DEMONS. They were formed all the way back in 1996 and have meanwhile built up quite a reputation. Their debut Atlantis was released in 2011 and follow-up Let's raise hell in 2016. The line-up consists of Artur Almeida/Vocals, Joao Clemente/Bass, Dário Antunes/Guitars, Nuno Martins/Guitars and Ricardo Oliveira/Drums, and their music is pure Melodic Metal in the traditional 80s direction, sounding like a cross between IRON MAIDEN and EDGUY, especially their lead singer Artur reminds me a lot of BRUCE DICKINSON. 9 songs are included and at first it sounds pretty good, but after a while it seems like the band's sound is a bit too much sounding like IRON MAIDEN and the vocals are not as good as Bruce I'm afraid. Not saying the band is bad or anything like that, but there is not so much diversity going on to keep up the interest until the end. Nevertheless, die-hard Metalfans will probably still like this album. Check out more info at: http://www.attickdemons.com/ 

(Points: 7.1 out of 10)

 

KHUSUGTUN 'JANGAR' (ROUTES NOMADES/BUDA MUSIQUE/XANGO MUSIC) 

 

Out of Mongolia comes KHUSUGTUN, a unique sounding band that has delivered a World Music masterpiece with their new album Jangar. It is also probably the first band from Mongolia I ever get to hear and review, and the most interesting thing here is that they actually make pure traditional Mongolian music, but give it a modern approach. The band uses traditional Mongolian instruments and perform a modern and polyphonic exploration of the traditional overtone singing from Mongolia. The sextet consists of Adiyadorj Gombosuren (Khöömii, limbe flute, djembe), Amarbayasgalan Chovjoo (Yatga zither, choir), Ariunbold Dashdorj  (Khöömii, Ikh khuur, guitar), Batzorig Vaanchig  (Khöömii, morin khuur), Chuluunbaatar Oyungerel  (Khöömii, morin khuur) and Ulambayar Khurelbaatar  (Khöömii, dombra lute, cello). It's especially the singing which makes this such an outstanding album, because the deep low, almost baritone way of throat singing is typical Mongolian, but if you listen to a song like Naadmyn magtaal or Temee, they actually sound like very melodic catchy uptempo Medieaval acoustic Metal-Folk tunes like we also know it from bands like THE HU, KORPIKLAANI, WARDRUNA... but of course then without the electric guitars and pounding bass/drums section!. Anyway, I will not mention further songtitles, because it's all in the Mongolian language, so that makes it quite hard to understand and follow, but thankfully the extensive liner notes in the booklet are in English, so they provide a lot of background info on each and every song. KHUSUGTUN really surprised me as sounding different than any other band in the world. I can only imagine that live on stage this band will make a huge impact with their way of performing and singing, and as already mentioned, they also sound really melodic and catchy somehow, especially during the mentioned songs, which feature harmonyvocals driven chorus to sing-a-long to. Here and there they really go for the traditional Mongolian sound, but overall they give it this modern touch to keep it interesting for everyone. Please make sure not to miss this highly recommended release at: https://www.facebook.com/khusugtunband

 

(Points: 8.7 out of 10)

 

OUTSIDE IN 'KARMATRAIN' (ALLGOOD ABSOLUTE ALTERNATIVE MUSIC/TRIPLE A RECORDS/NEW ZEALAND IMPORT) 

All the way from Auckland, New Zealand we finally get to review a band from that part of the world. In fact, I can only imagine that there are a lot of undiscovered bands from Australia and New Zealand out there and OUTSIDE IN is definitely one of them! As soon as I heard the first couple of songs of their album Karmatrain, which are the beautiful calmer melodic progrockers Let me go and Blue dragon, I knew that this was going to be a sensational adventure through the fields of progrock. It's all about the songs here, with lovely vocals, precise guitarwork and memorable melodies, like we know it from bands such as ENCHANT, PORCUPINE TREE, AIRBAG, FOR ABSENT FRIENDS, RIVERSIDE, CAMEL, PINK FLOYD and such. OUTSIDE IN was formed in 2011 and I believe Karmatrain is their debut full-length album. The band's line up consists of Mikey Brown: Vocals / Lyrics / Synth / Keys / Guitar, Jonnie Barnard: Guitar, Adam Tobeck: Drums, Elliott Seung Il Park: Bass and Joe Park: Guitar and after those first couple of songs, the band keeps up the incredible high level of melodic calmer progrock based around beautiful melodies instead of long complex instrumental passages. Echoes and stepping stones for example is such a lovely song, with beautiful haunting melodies and towards the end it becomes a bit rockier, with a sorta RADIOHEAD ish 90s alternative rock touch. However, OUTSIDE IN is a pure progrockband, yet one with a focus on melodic songs and they are doing it very well, with a sensational melodic clean singer and after repeated listens I can even say that they have developed an own style within the prog genre. Each and every song of this album is a winner, with so many highlights, Pass on the flag and Om for example should also be mentioned, truly wonderful songs! If you care for melodic song orientated prog and liked the AIRBAG album, then this OUTSIDE IN is definitely up your alley as well! Check them out at: https://outsideinnz.bandcamp.com/album/karmatrain

(Points: 8.8 out of 10)

MANDOKI SOULMATES 'VARIOUS ALBUMS' (RED ROCK PRODUCTION/SONY MUSIC/GERMANY IMPORT)

 

Somewhere else we reviewed the sensational new album of MANDOKI SOULMATES, but as already mentioned, the leader of this band or should I say immense project, the Hungarian LESLIE MANDOKI has released a lot of albums in the past. He was kind enough to sent me all his MANDOKI albums and I have to say it is a joy to listen to this man's work, because each and every album of the 8 that were sent to me, they are all wonderful and combine the best of Jazz, Westcoast, Fusion, AOR/Pop and Classic Rock. I will not get into detail, but if you like music that recalls the 1970s and 1980s when bands like TOTO and STEELY DAN were huge, then this MANDOKI SOULMATES is yours for sure. There are so many great songs to be heard on all those albums, it is impossible to mention them all, but Highest hopes and darkest fears, I dance through my dreams, On and on, Hold on to your dreams, Nothing or everything, I lost my heart in China and Last night are just a few examples of this wonderful mixture of relaxing AOR/Westcoast, Jazz/Fusion and Pop/Rock. The list of guest musicians is endless, but BOBBY KIMBALL takes part as singer on a lot of songs, while other musicians appearing on the MANDOKI albums are IAN ANDERSON, JACK BRUCE, NIK KERSHAW, AL DI MEOLA, CHAKA KHAN, STEVE LUKATHER, JOSHUA KADISON, PETER MAFFAY... From my deepest and most honest heart I can highly recommend this incredible project/band! The AOR/Westcoast fans might want to check out the album Aquarelle first, as this happens to be a real strong AOR/Westcoast-Poprock affair that is dangerously close to TOTO during songs like Cruel wide world, Legend and After the flood. More info can be found at: https://mandoki-soulmates.com/

 

(Points: 8.5 out of 10)


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